Mixing in key reddit Go beyond that and it won’t matter if you’re in key or not, because you’re effectively changing the key when you change the tempo past +/- 3%. I also mix in key a lot, but also mix out of key a lot. Support free, open source Yooo selectas! Had a quick question about exporting Mixed In Key queue points to Rekordbox. Tip for mixing in key: Song with same BPM and same keg will mix together nicely most of the time, but if you adjust the tempo by 6% +- then you also change the key to the next one (to the right if going up in tempo or to the left if going down). Unless you "mix" by instantly flipping the fader from deck A to deck B. But non of that changes the fact that the best DJs, whether thru pitch bending or not, were still mixing in key long before they had access to today's toolset. Funney enough, when I mix by bpm and look back on the mix, a lot of it is mixed pretty close to I don't use mixed in key but I definitely focus on harmonic mixing. I understand why the camelot and open key systems exist, but man if they didn't, a lot more DJs would become producers/musicians in the traditional sense, and the world would get to hear better music because of it. damn so many ways to re-invent the wheel, literally, of the circle of fifths. Most of the crazy good, seemingly meant-to-be mixes that you stumble into while experimenting are the result of their keys being compatible (either both songs in the same key or in dominant/subdominant keys). Also, by using the mixed in key software, I see songs that I never would have thought to mash up before. Think of the key as important information that informs how you mix, rather than what you mix. This is all just anecdotal but I also believe that certain genres benefit more from mixing in key. We appreciate your understanding and hope to be back eventually! Mixing in key is nice, but it traps you into something that can become boring, if prolonged. I feel most people who say they don’t mix in key don’t understand that mixing in key doesn’t just mean playing the same key or the next up. Not mixing in key sounds good most of the time too. This works 100 % ----- Plus saves time and time is money, you can always go to beatport and check badly scanned songs for true BPM and key but why make your life harder. Without Mixed In Key: “A Flat Minor” With Mixed In Key: “1A” And according to the Camelot wheel this means we can mix a song with the “1A” key into anything that’s “12A”, “1A”, “1B”, or “2A. Mixing the next song just because the keys match doesn't necessarily mean it's the best song to mix. I went forward, pushed all my songs through it, grabbed the keys, and it was magical, no more clashing of tunes, the songs all played well over each Back to your question, I personally don't really mix in key on purpose or by the numbers, and I've been messing around with DJing since the early 90s. after a few practices I eventually got what different keys sound like and the difference from one point to point so its a good visual representation if your hearing is not the best like me also sometimes the keys are quite far but it sounds like you can mix them together Hey, anybody know a free alternative to Mixed in Key? Specifically I’m most interested in the function where it automatically adds cue points to tracks that show in Pioneer Rekordbox. Even mixing in key you have the potential for a bad melodic/harmonic mix. So I re-analyzed the tracks used in KEY DETECTION COMPARISON 2020 , where I compared 14 apps vs. In those cases, you don't need to worry about mixing in key - you just mix in the percussion and then let the harmonics drop and build on their own. Mixed In Key updated to version 10 (from 8. Beatmatching is about time synchronization. After listening to so many tracks I can spot transition points just by looking at the wav. For example, if the track you’re playing is 4A, to mix harmonically (that is, in key) you can stay in 4A, or go to 3A, to 5A, or to 4B. To mix in key, using the Camelot wheel, you only go up or down one number or letter. Mixing in key isn't anything new. The rule of thumb is to mix in key as a safe way of mixing, especially if you are unfamiliar with the tunes, likewise not mixing vocal tracks with other vocal tracks when the tempo of the vocals is the same as it just sounds cluttered and muddy. Nothing sounds worse than two melodies in non-compatible keys overlapping. Mostly on this sub to give advice and support the newcomers. Mix with a key that is one knob twist (semitone?) at max away from a matching key, adjusting the key knob that one twist to make it a matching key. Mixing in key is good for a few reasons. I tried using Mixed in Key for a while, but the grid detection and auto hot cue functions were terrible. To make matters worse, it's not that a track has one key throughout. And rumor has it the Mixed In Key dev's stole the code from this project, and now charge outrageous prices for essentially nothing. Conclusion: Mixing in key is a bonus - just one tool in the toolkit. Basically what you did there is going up one semitone up for each camelot notations. Assuming all your tracks are in minor key, each key has 5 others it will likely work with: +1, +2, -1, -2 and -5. Fuck that. One twist will change the key number by 7, or 5, depending on how you see it. There’s also a section in settings to change it to either apply to every similar key track only in that specific key or 1 up and 1 down. Analyzed one batch. g. A mix would have perfect harmony when mixed with only four keys, and reasonable harmony when mixed with two more keys. true. As a primarily drum and bass DJ, the decision to mix in key depends on the sub-genre I'm playing. There are many more harmonically compatible combinations than the Camelot Wheel represents. Do you know how the Camelot wheel works? It was invented by the people that make mixed in key. Basically: mixing in key will never really hurt your DJ sets unless you just mix into the same key for the whole set - just remember the most important thing is how the songs sound together to your ear before you bring the next track in. Keys are just a tool for guiding your mixing, indicating what may or may not work together and giving you some control in the musical mood changes you are creating. , and the hostile behavior of reddit's CEO, /r/DJs is locked until further notice. Hi guys. Its a great guide. Are you speaking of harmonic mixing? Mixing in key would mean you only mix in one specific key. I'm learning about harmonic mixing and I found too many articles that where basic and just descriptions about WHAT IS harmonic mixing (camelot wheel, etc. There is one thing though that u/theoriginalsnub has touched on, that solely mixing in key can lead to a somewhat limited and formulaic set / selection, and that sometimes breaking that mold of only sticking to what immediately harmonically works is boring - mixing two tracks that are essentially discordant can have the effect of changing To me, you look positioned to do better than blindly follow trendy "rules" about mixing in key. I don't look at key, but I do look at BPM and try not to go too far either way. ” Mixed in Key basically takes the music theory out of it and honestly improved my transitions tremendously. Hey, anybody know a free alternative to Mixed in Key? Specifically I’m most interested in the function where it automatically adds cue points to tracks that show in Pioneer Rekordbox. Period, that’s it. Lately i've seen lots of people preaching mixing in key. Might depend on genre though, I spin Trance, Progressive House. Even when your not overlapping harmonies mixing in key can sound great, its a way to create a vibe, a mood and a good way to control the energy in your mix. I often mix in key, but i think its around a 60/40 split between mixing in and out of key. Mixed In Key software and the Camelot Wheel started to gain traction on the internet about 15-20 years ago and before that DJs would often sit in the studio with a keyboard and find the tonic with a physical keyboard and write the key on the record before then. So you can in fact mix phrases in key that isn't supposed to sound good, but it does. The key detection is good, but nothing that Serato or Rekordbox can't do natively already. ReCK setting screen Key mixing almost doesn’t matter at all. For techno I look at waveform first, how it sounds second, key third. It’s not to say that mixing in key is necessary indoors, it’s just that the benefit of doing so is less obvious when you play places that are larger and more open. Just started mixing in key a year ago. Mixing in key really wasnt possible until it was possible to mix with digital files. Close Mixed in Key Open Traktor Drag from a file window the new selected tracks into a playlist Select the new tracks, right click 'Analyze', Only 'All' and 'Parallel Processing' are checked After analyzing load the new tracks in decks and the cue points show up. Using the Harmonic Keys chart, you will see that the four perfect harmony keys from any key are the Tonic (same key songs), Perfect Fourth, Perfect Fifth, and Relative Minor. I still think some upstart company will come out with basically the same concept and market it very well to the TikTok generation and make an absolute packet Get the Reddit app Scan this QR code to download the app now Yeah that’s definitely fair lol. The Key will be put into the song itself. Key sync means that, for example, if I want to go from a song in 8A to one in 9A (compatible) but they’re different BPM, I don’t have to worry about the beatmatching changing the key of the second track to something incompatible. This article describes it best because it explains how notes in each key are related. Please keep in mind that even a 2-3% change in the tempo of a track will change its key. Helps you make playlist for a gig too. Lol, programs aren't dictating where you go with a sound, merely providing a structure for what may work. You mentioned trance, if you want to mix as if it's just one continuous song for your entire set, mix in key. This updates enables assignment of the MiK analyzed energy levels to either Star Rating or Track Color. Better to mix two 5 star tracks than a 1 star and a 4 star in key. As an example, a chord is a group of notes that sounds great together. If the two tracks sound Do you mean is Mixed In Key better at finding the Key than Rekordbox? In which case, no. Instead of following computer instructions just use your ears, that's the whole point of DJ'ing. You can get away with going from any key to any key as long as the dissonance isn’t too dominant. I rarely get to step 3. But I still mix by bpm sometimes. If you DJ house music for example with original/extended mixes which have some extra bars at the start/end for easier mixing, then key is not a big deal. * Dialog / Dialogue Editing * ADR * Sound Effects / SFX * Foley * Ambience / Backgrounds * Music for picture / Soundtracks / Score * Sound Design * Re-Recording / Mix * Layback * and more Audio-Post Audio Post Editors Sync Sound Pro Tools ProTools De-Noise DeNoise All you need to do is enter in the wheel number with the corresponding key. Mixing in key will be more noticeable if you play at smaller indoor places. Liquid tunes lend themselves very nicely to being mixed in key because everything feels like it should be flowing together nicely so a seamless transition feels right. You’ll have to uncheck the Rekordbox path. Learn Camelot wheel to understand which keys blend well, then sort your crate by key. -Phil Morse- BUT, if you took that same first song and mixed it with a warehouse techno song that is more about the textures and interesting sound effects then you could probably mix those together without needing them to be in similar keys. a longer mix if you're in key, a quick mix if you're not) then I'd say that's an important part of DJing for most genres. Style of music matters here. Tbh I'm trying to mix in key less in general, because sometimes I will get stuck in an obscure key and can't get out (like out of ~5,000 songs, there are a few weird keys with only ~10-20 songs representing). I mixed by bpm for 15 years. You can perfectly beat match 2 songs, but if they are out of key, the mix will sound bad. For me, mixing in key is a “nice to have”, and if you’re stuck for something to mix into your current track it can be a useful shortcut to find another track in your playlist, but sometimes you just gotta go with what sounds good together regardless of whether or not the numbers say they’re compatible I always, always mixed in key (haven’t mixed for a while). 5) this week (took ~2,5 years). Personally i think if you know your songs and think they would go well together, and match the vibe and where you'd want to be going with ur set, key isn't really that Key can be used as a boost or dampener on your set too. The Camelot wheel and other versions of it suggest ranges of keys (like your example) which go well together and you can use them to guide your choices when mixing. It is not Nirvana: it's not because two tracks are in key and near the same BPM, that they sound good together. Now, you can mix out of key: for example, go from 4A to 10B if you want. human trained ear. Does it matter so much to mix in key? Mixing in key is a technique to make transitions between 2 tracks sound better. However if you mix fast, don't have a lot of mixing time, you want to play tracks only or even do mashup-style "double drops" with two tracks in parallel, then harmonics (key) is a big deal. Mixing in key isn't always necessary, you can pull off decent blends with plenty of tunes off key. 122K subscribers in the Beatmatch community. So for example if you are mixing 2 tracks one at 128 bpm sped up to 133 with one at 137 slowed down to 133, neither of them will be in their original key and they will not match just because you picked them for being the same key. although the Stanton direct drive straight arm decks in the early 00s had a pitch lock on the deck, but that never really caught on…because it wasnt really necessary unless you were matching something at -10% with something at +10% (these decks also went My personal opinion is that mixing in key is overrated- it's good for the bedroom DJ looking for perfect transitions. I just see people paying for Mixed in Key Reply reply More replies In protest of reddit's recent decision to eliminate apps like Apollo, RIF, Sync, Boost, etc. Settings are here. No - if you’re mixing in key it doesn’t necessarily mean you’re always mixing in the same key. I like to call it “hands in the air” mixing, and others might call it “Energy Boost mixing”. Many big pro DJs don’t bother with it. The Auto Grid Detection is abysmal. Song selection > keymixing. Hope this helps! You don’t only mix songs in the same key when you mix in key. Platinum Notes is incredible if you want to do an extra unnecessary lossy conversion of your library and degrade its sound quality across the board. When played in a certain order can sound pleasing, but it’s not the end all be all of djing. I'm a beginner with i would say no knowledge of sounds beats etc and music theory tho I use the camelot key for guidance. Keep attention to the different types of key notations. If someone has experience with mixed in key and could give me a quick overview of pros and cons of mixed in key that would be highly appreciated. I did the same test with Serato and, of course key is not everything, but the numbers ended up pretty interesting. Hi guys, starting to practice and learn mixing Hard/Industrial Techno and was wondering what you guys' thoughts are on the importance of mixing in key. I started my DJ library last year and I have 1000+ songs. I would have to go through each track anyway and set it up the way I like. I strongly prefer mixing in key but my highest priority is related "energy". If both the outro of the track you're mixing out and the intro of the one you're mixing in are both melodic, chances are they'll clash and the mix might sound a bit jarring. Even before it was doable on software I would play scales on a keyboard to find the key of the tune. In my experience, most DJs don't take mixing in key too seriously or play it by the numbers, and we're mostly just using their ears and natural music and pitch sense. This. Reply reply Hey DJs ! Lots of controversy about mixing in key Rule of thump is going one step up 3A to 4A or down 3A to 2 A or opposite letter 3A to 3B to Genius-level way of mixing (for me, at least) that could have become widespread in a massive way if they'd marketed better and dealt with all the many many bugs and flaws. Secondly, if the genre places a lot of emphasis on melody and harmony, such as with melodic house and melodic techno, I mix in key. The numbers. ) but not about HOW TO USE harmonic mixing (examples, tips, tricks, etc) in practice. . People of reddit, in your opinion how useful is the Mixed in key software? Is it worth the money? Are the $60 a lifetime license fee? Thanks 38 votes, 27 comments. "Treat key mixing as a tool, not a rule". Typically one phrase would be in one key only; but you can have keys change from phrase to phrase. For melodic content mixed in key could help. The so-called "Camelot system" is just a commercial (and kinda dumbed down) re-branding of the traditional Western musical keys by the company Mixed In Key. Mixing in key and the Camelot Wheel is based on the Circle of Fifths in music theory. You write I have a vague idea of major and minor notes, sharps and flats, and how they can affect the overall "feel" of a song when put together correctly If you have some music background you can understand the mechanics of mixing in key. If it places very little emphasis on this, such as with hypnotic techno, I don't mix in key. Mixed In Key ~76,5% accuracy Winner KEY DETECTION LAB REPORT 2016: Traktor Pro ~82,5% accuracy Winner KEY DETECTION COMPARISON 2015: Mixed In Key ~87,9% accuracy Winner KEY DETECTION COMPARISON 2014: Mixed In Key In the preferences you can turn off cue points. The song playing might be 9A and a track at 1A might work better in the overall flow. Key is a bit of a simplified generalisation for that. The best underground house dj’s have been mixing out of key for 30 years. But if "mixing in key" means mixing tracks that work together harmonically, or deliberately mixing tracks that don't harmonise for effect, or using key information to inform how you mix (e. We are sound for picture - the subreddit for post sound in Games, TV / Television , Film, Broadcast, and other types of production. They are notes/chords/keys that sounds good together. All that matters is selection and vibe. Mixing in key is a rule, a rule you have to know in order to break it. Anything else will be out of key. Regarding key analysis, I realized it’s not super important in my genre. That depends on the genre(s) and tracks you mix. When i first used MiK, it changed a bunch of cue points and i had to recover from a backup. The Camelot Wheel is just a proprietary notation of the circle of fifths, which first showed up in 1679. I know how to initially export the queue points into Rekordbox, by creating the xml folder and all that, but my question is; when I add new tracks into MiK and want to export those hot queues into RB, do I create a different XML folder, or use the one I previously created? To me, it sounds like a good mix, but I'm trying to learn harmonic mixing and mixing two songs not in the same key is not something that is recommended with harmonic mixing. So i'm a dj with 4 years of experience. But you can easily get around it with proper timing and EQ. Mixing out of key isn't bad as long as stuff doesn't clash. Moving up 2 semitones is sometimes very powerful and creates energy in the set, same goes for moving down a semi-tone or two, you can lose energy and back it up a bit while still keeping flow. This is before we even factor in that software is generally only around 70% accurate at analysing the correct key, also a music track not being rigid I use beat skips of 32 beats to find mix points in tracks, just make sure beat 1 is set correctly when analysed. I also use the cue system. I use Mixed in Key in combination with the Rekorbox Cue and Key (ReCK) Tool to get sortable comment tags in Rekordbox from the Mixed in Key data (Key-BPM-#Energy), with preceding zero's if the values are below 10 (Key) or 100 (BPM). In melody heavy music, you will end up mixing in key if it sounds good together, otherwise you have to do advanced techniques to get round it. It depends on the position in a track. Click master in the little rectangle box under the mixer section to the right. If it sounds good, its good. Some track combos won't work regardless of key - the key is just one piece of the puzzle and key matching matters a lot more for some genres and mixing style than others. Second, if you want to do an 'energy jump'. They created it for their own products, and license the usage to other software. My mixes sound much more professional. The "reasonable harmony" choices are the Relative I use MiK just for key finding, all other options are disabled, I set cue points manually during prep time and during a set. I rely on it more when mixing melody heavy songs. It’s basically a chord progression system. Eh, what. I realized the energy scores and hot cues were completely arbitrary. The auto cue point setting looks pretty cool as well. Personally i prioritize my gut feeling (vibe, energy level, genre) above mixing in key. Based on the suggestion made in this post I've updated the Rekordbox Cue and Key tool (ReCK) ReCK integrates Mixed in Key data with Rekordbox, including conversion of the MiK analyzed cues to Rekordbox. You start in 12A (C#m) - 1 and you go to 7A (Dm) - 2 and so forth. Mixed in key software . Playing the Dominant Key of the Relative Major / Minor Key (+1 on the Camelot Wheel and change the letter)(4A-5B or 5B-4A)(F Minor to Eb Major) – I’ve found this is the best way to go from Major to Minor keys and from Minor to Major because Mixed in Key is amazing if you want to ruin your Tempo Grids and have to reposition all Hot Cues by hand anyway. Because i know my songs well, i think its easier to lay down a vibe and keep people dancing if i dont pay that much attention Mixing in key is a guide, not a strict rule. I found letting the pitch change normally is just better sounding. Either way, I believe limitation provokes the best in creativity If I'm mixing a genre with a wide BPM range like hip hop or hypnotic techno, I don't mix by key. I got mixed in key about 6 months ago thinking it was the greatest thing ever, and how it was going to vastly improve my mixing, make it sound cleaner, allow for better mashups, yadda yadda yadda. You dl mixed in key on your laptop/pc, then analyze the tracks there, open tracks in iTunes and ensure name contains key, put tracks on usb/cd, insert in cdj, check tracks on cdj screen You’re just changing the track name by analyzing them - Once analyses just double click the track in iTunes, it should come up with the key at the start of As to key, I pretty much rely on rekordbox's analysis to tell me what key I'm in and what ones go with. Key lock can help you get around this, but it’s hit and miss. But when doing a gig - most people don't really care. It means understanding the circle of fifths and how the notes relate in each key adding dissonance and harmony. Most of the time it would detect the 1st beat wrong even if it was a clear kick alone at the start of the track, making the whole grid offset by 1 or 2 beats, and by extension making the Hot Cues land 1 or 2 beats before or after the start of phrases where they would actually be useful. I also checked with the piano from MIK and from the 2 tests I would say the new keys are usually correct. I still can't organize it properly, but with mixed key I don't need to if I Exactly this. If it sounds good (better) when not in key, go for it! The end result is all that matters, in the end. The thing to avoid with Mixed in Key is getting into the mindset of only playing the next in key song. Mixed In Key has just automated the anaylisis part. Only time you need to worry about mixing in key is if you're playing two tracks together that are playing melodies at the same time. That's it! *:throw the developer some money, because their software is money. T Mostly on this sub to give advice and support the newcomers. Beginner/entry-level DJing - troubleshooting, equipment advice, question/answer, etc. If you want to do fake build ups to slide other songs in, you can skip it. Depends on your selection, I exclusively mix in key (other than the odd atonal track) because my tunes revolve around the tonality of the track (a lot of melodies, strong tonics, etc) Someone mixing straight neuro/tech can get away with key clashes as the keys are so subtle. Because of how extended and long the transitions are along with EQ mixing where you are layering a bunch, I think it is super important to make sure your tracks are in key. First, if you want to overlay melodic tunes. after a few practices I eventually got what different keys sound like and the difference from one point to point so its a good visual representation if your hearing is not the best like me also sometimes the keys are quite far but it sounds like you can mix them together Unless you "mix" by instantly flipping the fader from deck A to deck B. I think if you’re mixing neuro and straight belters it doesn’t matter so much because half of it is in c/g/f and there are a lot of ‘sounds’ but not so much melody. Sometimes mixing in key makes the mix sound monotone. If it's mostly drums, though, it doesn't matter much. In essence mixing in key is about matching the key of your next track to the key of the one playing, so the short answer to your question is yes. This will give you a lot more choices. Hey DJs ! Lots of controversy about mixing in key Rule of thump is going one step up 3A to 4A or down 3A to 2 A or opposite letter 3A to 3B to Feb 5, 2025 ยท Limiting yourself to only mixing in compatible key is extermely restrictive and will hamper creativity because the supposed 'DJ' will never explore mixing tracks together outside of this bubble. As someone who has been a little obsessed with Mixed in Key when I started mixing and djing I can only tell that harmonic mxing will not help in a long run especially in creating excitement in a mix. I would not change the key of a track more than one twist because that will sound Hey DJ’s, I’m looking for some feedback on Mixed In Key vs BeaTunes for the purpose of adding BPM and Key to my Apple Music library, specifically for the songs that I have in playlists but haven’t purchased in iTunes. Mixing in key is a bonus - just one tool in the toolkit. I am considering to get myself the mixed in key software. If it sounds good, they're probably in compatible keys, or they're actually in another key than the analysis software said. If the mix sounds dissonant in a bad way, find a track in key. While it gets the tempo right the majority of the time, it constantly anchors the start of the beat off the 1st beat of the track even when it's a clear single hit, putting it various amounts of beats before or after. Why the Mixed In Key people decided on their weird numbering scheme (C major == only white keys has number 8), instead of relying on the ancient, publicly well known notation, I have no idea. For getting rid of all the cuepoints (it is the hotcue’s that make the loading last this long), you either have to manually delete them from within Rekordbox, delete them from the masterdb file, make a Apple Automator script that does all the clicking for you Yuh. All of these moves require that the tracks be within +/- 0%-3% of the original tempos in order to be effective. I had eschewed Mixed In Key as it had poor rekordbox integration, but this appears to have been fixed with version 10. All you need to do is train your ear for dissonance and harmony. The MIK software has great info about how to do this. I'm talking melodic techno etc here so it all follows 4/4 time. Regarding key mixing religiously ruining the main goal of mixing, I've got to push back on that. It will usually (not always) sound shit if they're not in compatible keys. I did find one that was closer to the originaly detected key but the difference was small. They want to either hear music they recognize or something new with a good dancing beat. RBK vs MIK Mixing in key in terms of 2a -> 2b/1a/3a is not the only ways to mix in key. Most studies show MIK is the most accurate key detection software. But I would second what other people are saying - it is a tool not a rule to mix in key. shr mushqo urucd xxz pamjnlm ieitz tbsz vvoad xckt xhxed rbdzf wtdva qjtwr aswqv vnna