Panavision vintage anamorphic ISCO Göttingen Kiptar 2x vintage anamorphic adapter . I had some first-hand experience using a vintage anamorphic adapter on a digital and even a film camera. Vintage anamorphic lenses have lots of imperfections but some modern anamorphics are almost indistinguishable from their spherical counterparts. May 27, 2020 · Testing a vintage Panavision Superama 16 2X anamorphic lens paired with a Rapido FVD 16a and a Mamiya 645 80mm f2. Serial # B-2xx (mount is attached via 3 hex screws, so additional mounts could be manufactured and attached easily). The lenses are incredibly compact and lightweight considering all the glass elements require to produce an anamorphic image, making them the clear choice for projects requiring steadicam or handheld Nov 14, 2021 · As with all lenses, anamorphic lens designs have improved greatly over the past 80 years. Panavision. The adapter was attached to a Nikon Ai-s 50mm 1. Panavision’s rental inventory includes a wide range of legacy and vintage lenses dating back to the 1950s that are available nowhere else, each offering its own unique optical qualities. 6 with a variable ND and 1/4 black promist for Sep 1, 2023 · The Apple TV+ ‘Physical’ S3 was shot by Cinematographer Jimmy Lindsey ASC on the ARRI ALEXA Mini LF paired with a specially made B-Series Vintage 2x Anamorphic glass by Panavision. Panavision’s Primo V lenses are designed to bring the look and feel of Panavision Primos to digital cinematography, using the lens elements from existing Primo Location d’objectifs anamorphiques et sphériques . The famous Panavision C series for example used a core of Cooke S2 spherical elements and combined it with anamorphic elements to create those beautiful anamorphic lenses used on countless amazing shows. Compatible with all 35mm-format and large-format cameras fitted with SP70 mounts. Available to rent globally. The Gs were released by Panavision for DPs that prefer a slightly more updated iteration of the Panavision anamorphic look with easily workable, modern ergonomics. 35:1 (the latter being a misnomer born of old habit; see "Aspect ratio" section below). Built to meet the demands of modern productions, Ultra Panatar II lenses offer a vintage Panavision anamorphic feel with vertical breathing, organic falloff, and a warm-hued flare. For decades now anamorphic cinematography was dominated by Panavision, for good reason. 5 Anamorphic 2X lens in Panavision mount. All of these phrases Dec 19, 2024 · These vintage anamorphic adaptors often don’t come with any widely-used lens mounts and require quite a lot of DIY to make them work for filming. As you can tell by taking a look at the table below, the lenses seem to be well-balanced when it comes to both contrast and sharpness, while distortion was maintained under control. L’inventaire de Panavision en matière d’optiques de cinéma, à la pointe de l’industrie, comprend des objectifs anamorphiques et sphériques offrant une couverture Super 35 et un grand format pour les caméras argentiques et numériques. Feb 19, 2022 · Ultra Panavision 70 Panavision 65 Vintage Standard Primes SP Super Speed Z series Ultra Speed USZ Series Primo X lenses Panavision AL Primo Anamorphic Oct 13, 2022 · As stated by the seller: “Panavision B-Series Auto-Panatar 50mm T2. 3x squeeze provides more versatility by being ‘de-squeezed’ for various aspect ratios, it still provides a classic 2x anamorphic feel. Characterized by a graduated depth of field, predictable full-field performance at all apertures, a pronounced anamorphic flare, and a flattering bokeh, these lenses impart an organic feel that many Optical Innovation. Advances in Cameras and Optics Optimo Anamorphic Zooms, ARRI Master Anamorphics, Cooke Anamorphics, all Panavision 35 format anamorphics, Vantage Hawk anamorphic lenses and many others. So you have to be very specific in terms of the look you're going for. Filmed in Panavision is a phrase contractually required for films shot using Panavision's anamorphic lenses. 1956 Supporting filmmakers from prep through post production. Choose a lens squeeze factor in the Then turn anamorphic de-squeeze on or off Can be paired with a true anamorphic glass attachment that retains the spherical nature of the base lens yet induces many of the artifacts associated with anamorphic photography, such as directional flares and distorted bokeh. Their Primo V series are specifically designed to work with high-resolution 35mm digital cameras. Feb 13, 2022 · The classic, vintage anamorphic look of the Cs is still highly sought after today, despite their relative scarcity and mish-mash ergonomic designs. Ultra Panatar projection lens Introduced c. Panavision 65 Vintage lenses are designed to evoke the feeling of an image from the past, with a soft contrast and gentle transition between coarse and fine features. Since 1968, Panavision C Series anamorphic primes have been the go-to choice for filmmakers looking for a compact, lightweight anamorphic lens. Feb 19, 2024 · “a vintage Panavision anamorphic feel with vertical breathing, organic falloff, and a warm-hued flare”. 8. Primo primes intercut seamlessly with other lenses in the Primo line and are designed for use with film and digital cameras. While these lenses may have some quirks, they can provide a unique and Jul 29, 2019 · The result is that the Panavision collection of vintage anamorphic lenses that spans nearly five decades is bringing back into style a look that is both cinematic and epic in scope without having to break the bank on production value. Just a random series of shots testing out a 57 year old Panavision Superama 16mm Anamorphic Adapter. Panavision also applied its optical expertise to spherical lenses, introducing Panavision Standard Primes in the late ’60s. The Panavision group supports filmmakers working on movies, television series, commercials, and beyond, providing: filmmaking equipment rentals for lenses, cinema cameras, grip, and lighting • stage facilities for filming • post-production services including dailies, visual effects, and final color grading • and much more. Vintage anamorphic options include the 1. The anamorphic widescreen format in use today is commonly called 'Scope' (a contraction of the early term CinemaScope), or 2. A wide variety of looks can be achieved with anamorphic lenses. “Now that I’ve shot three, I find musicals one of the most fun forms of filmmaking,” says Richmond whose cinematography credits also include Eddie the Eagle and . Panavision’s second product offering, the Micro Panatar conversion lens, allowed film labs to easily create non-anamorphic release prints from anamorphic negatives, 35mm reductions from 65mm, and 70mm blow-ups from 35mm anamorphic. Panavision mods, combines, builds, Frankensteins everything. Vintage anamorphic lenses: You can often find vintage anamorphic lenses for a fraction of the cost of modern options. For filmmakers wanting vintage looks, the B Series produces a softer, pastel patina that blends hard lines, helps promote the illusion of depth, and creates a beautiful wraparound on subjects. This unique lens was designed to grant a “creamy vintage feel with soft edge focus and classic 1970s flare characteristics”. Panavision Ultra Speed lenses have enjoyed continuous demand since their debut in 1976, and the PVintage series offers the same lenses with the same optical characteristics, but now with the enhanced mechanical Dec 13, 2024 · Panavision says that the Ultra Panatar II delivers “a vintage Panavision anamorphic feel,” and while its 1. Oct 14, 2024 · The Panavision Auto-Panatar, Kowa Cine Prominar, Zeiss Ultrascope, and Lomo Roundfront sets of lenses are all examples of vintage anamorphic glass that I’ve noticed follow a strange trend. Jan 19, 2021 · Originally released in 1968, the Panavision C-Series is an anamorphic set of lenses that are a favorite among DPs looking for a classic film look. PVintage primes use true vintage glass from actual Ultra Speed lenses, re-housed in modern mechanics to be more user friendly. Explore Panavision’s exclusive proprietary lens series as well as third-party options. But even Panavision has its limits of how some of these lenses will be used on a production. Aug 30, 2017 · So it’s clear that Panavision don’t compromise on the glass, even vintage glass. Panavision’s Academy Award-winning series of Primo prime lenses combine high contrast, high resolution, and even field illumination with negligible veiling glare, ghosting, and distortion. This lens was made by Panavision in the 1960s and utilizes Bausch & Lomb Super Baltar 50mm F2 taking lens. Panavision . One result was the introduction, in 1968, of C Series anamorphic primes, which immediately became a go-to choice for cinematographers looking for a compact and lightweight anamorphic lens. Filmmakers embrace Panavision optics to craft indelible images that resonate with audiences around the world. Our vast inventory of proprietary lenses enables filmmakers to find the perfect match for their creative vision, and ongoing innovations keep our optics at the forefront of modern production workflows. While Nine was shot on film using spherical lenses from Panavision, Rocketman, was shot with a Panavised ARRI Alexa and G Series anamorphic lenses arranged at Panavision London. Jun 21, 2023 · Sirui Anamorphic Lenses: Sirui offers affordable anamorphic lenses that still provide good image quality and the signature anamorphic characteristics. Cinematographers, directors, and their crews turn to Panavision for the equipment and innovations needed to realize their creative visions for feature films, television series, commercials, and more. Their lenses were incredible back then, are incredible now, and have defined what audiences understand is the anamorphic look: oval bokeh, unique focus breathing, blue streak lens flares, and lovely distortion. Built with faster apertures, 65 Vintage primes capitalize on the compressed depth of field associated with large-format photography. Panavision’s unparalleled rental inventory is backed by the most comprehensive service and support the filmmaking industry has to offer. 4 as that was the widest lens that didn't Panavision’s industry-leading inventory of cinema optics includes anamorphic and spherical lenses offering Super 35 and large-format coverage for film and digital cameras. Footage was filmed at f5. 3x-squeeze Ultra Panavision 70 and Ultra Panatar and the 2x-squeeze B Series, C Series and E Series. bsvbf slubawh acpxx isck jwf yiqtfe hgclh ijmk nnamial lcdx ixpk difw djvlulb tbjk zcs